Studios I have known, I'll give you a little tour.
I paint in the kitchen in this temporary accommodation. Work hangs in every room to dry. The first thing I do if I find myself moving to a new place is to find a space where I can work. I don't want to work the day job hours it takes to pay for an outside studio.
Work hangs in every room to dry, the whole place is a studio |
From the table to the attic to art school
I haven't always considered myself a painter and drawer. Years ago I learned to knit, sew, do macrame, tie-dye, batik and on and on. I worked on a table in the living room. From books, I learned to make my own patterns. I made my own clothes and clothes for my family on a sewing machine set up in a hallway or the living room depending on where I was living. I wanted to be able to design patterns and clothing, so at 29, I took a life drawing course.
That was it! Not drawing for design, but just drawing. Later I took painting classes. I'd never considered I could draw or paint, but romanticized these ways of making right out of the realm of possibility for me. That drawing course told me maybe I could learn. I drew and painted on the table in my living room. I taught myself using Nicolaides The Natural Way to Draw practicing 3 hours a day for years.
Me sitting at the table in the living room, circa 1979, in Corner Brook Newfoundland, where I first began to paint and draw |
Later I managed to wrangle my own room in the attic of the place I moved into with my family. When I was 37 an art school was opening in my town. I had a portfolio and applied. I was accepted.
Studio Balconies, kitchens, living rooms, bedrooms, tables and garages
Since graduation I've moved a lot and had to work in many different spaces. My first move was to a small apartment that I shared with another artist. I had a table to work on in one corner of the living room. He had his table in another corner.
I moved to Montreal and moved around Montreal.
In one apartment I worked at a table in a bedroom. Rent was cheap then so I moved to a larger space. In the next apartment I had a small separate room in which to work. Later, In another apartment, I began making videos and I made posters for a community radio show and a women's centre. I wrote poetry and short stories. I illustrated them. I worked at a tiny table and a computer in a very small living room.
I moved to Vancouver and moved around Vancouver.
I was lucky to find an affordable apartment let alone a space with a studio. I worked from the corner of the living room in the winter and on the small balcony in the summer. Finally I made the bedroom into a studio and moved the bed behind a partition I constructed in the living room. In this space I made a lot of work, some of it quite large. I had several shows of the work made here.
Here are some photos of the sweet little balcony and the view in summer. Sometimes I sat on the blue chair at a cafe table and painted, sometimes I sat on the chair in the other corner and drew.
View from the balcony |
A real studio
I found a real studio again where I made the first of the work in ink, pencil and charcoal on mylar that I've now developed into paintings on mylar. That work led to gallery representation here in Vancouver. The beginnings of that work were in the bedroom, living room and balcony of my apartment.
901 Main St. Vancouver studio. It was a shared, large open space. Only $150 per month in 2005 and 2006 for 150 sq feet. Yes, I'm pretty tidy, but not always this tidy. |
Then, renoviction from both the studio and the apartment.
A garage studio
I find a another apartment at a reasonable rent! Lucky! And this new place has an old garage I can use. Converted, by just two of us, in a way that I could easily take apart if I had to move again, it's nice.
But it's cold in the winter. The first winter, I move the easel into the tarped up living room for a couple of months. I insulate the area of the garage that is the studio. I have my own space again and it's bearably warm now.
I always have a contemplation chair |
Notice the two heaters, it is too cold in winter until I insulate the 2nd winter here |
View from the window of the garage studio |
I did have to take it apart. In a couple of years the house is sold and the new owners want us out and family in.
Temporary apartment sublet studio in an office
A find, a temporary sublet until I can move into the new place I want and have to wait for. One big living room/bedroom, a kitchen and this little office. Tarp up the little office space, set up the easel, get to work. Here I worked on a whole series of portrait commissions. I was going through a phase of learning to paint from life again.
office studio |
view from office studio |
Converted bedroom studio/office
After 4 warm weather months in this really lovely space, I move into the place I'm waiting for. There is a 2nd bedroom. I can have a separate studio. I'm working on mylar again and drawing and painting on an intuitive level once more. It's good. But it's not over yet.
I had this room in my basement apartment for several years before the landlord decided to tear down the house and build a bigger one |
Kitchen studio
The landlord is going to build a larger house on the lot. I have to move out until it's done. Another temporary move, to here where I sit typing. There's only one bedroom here, but, a large kitchen! Move in the big studio table, a palette table with room for paint supplies, an easel and a shelving unit. Presto chango a kitchen/studio.
New Studio under construction. Move-in time is early 2016
Soon, I'll be back at the old address with my own room again, but even then I have plans for another type of studio move.
The new studio under construction in the new apartment |
Future studio
I'm figuring out a way to work on the road as I travel more. Next year I'm hitting the road to spend some time in warmer dryer sunnier places in winter and then travelling/camping across Canada and the US in 2017.
I'm working on a studio in a bag. I'll make small works, paintings and drawings that dry easily, so not oils, art that is a response to what I experience along the way.
The new travelling home for the studio, the trusty Toyota canopy camper |
Outdoor studio in a bag. This studio is still in the development stage |
Outdoor studio with dog, so far this is what's inside the bag |
I work wherever I can and make the most of each space, it's an adventure really. And adventures are full of challenges. Sometimes I tear my hair out, I feel I can't work because it's the wrong space. I do what I can to change that or to adapt until I can change it.
I'd be very interested to hear how other people make it work. Leave me a comment here or on Facebook I'd love to chat about it.
Thanks for the tour Elaine. Very interesting to read about your studio experiences. It's great that you kept photo documents of it all. At two of my rental houses in Vancouver, I renovated the garage, adding insulation, drywall, skylights, lighting . . . It cost a lot but so do studio rentals. It was always hard to keep warm unless I was making my frames or sanding or other more physical activities. I recall doing a lot of work under 14 degrees. I couldn't do it now. We bought this house in Victoria partly because the previous owner was an artist and there is a 11x 15' studio with a big skylight. Unfortunately it's also my office and right next to the living room. Apart from the cold, I do miss my old garage spaces where I was really out of the house, away from TV, phone, internet (!), housework, people, etc. In retrospect, it would have been far better for my career if I had bit the bullet and paid for studio rental. I would have been closer to the art community and maybe made more connections. I'm thinking of finding a shared studio in Victoria where I can work on small works a few days a week, uninterrupted. I'm still reluctant to spend the money, but it would be interesting to see what happens. Monique
ReplyDeleteThanks for your comment Monique. Your garage conversion sounds a lot more involved than mine. I put styrofoam insulation in between the beams in the ceiling and constructed a wall of styrofoam in a frame to fit over the door, I put down old pieces of pressed wood on the floor then strung up white plastic tarps to wall off part of the garage. Cost me next to nothing and worked for me for 3 years, not for everybody though, I consider myself pretty tough, and though I'm not young I'm pretty fit so can take some harsher conditions.
ReplyDeleteI'm lucky that I like to work from my living space, that way, for me, making art feels like just another part of my life. I enjoy that.
As for career, or lack of it, I try not to let that prevent me from doing what I want to do.
I have an office space in my studio too, even here in the kitchen. I work ok with that. I actually found it harder to work in a shared space where I had little control over when people came and went and felt self-conscious working with others around. At home I can set some rules that control interruptions. Working from home demands scheduling and flexibility. I plan studio days and say no, to anything that comes up during those days, but I can be flexible when I judge it is absolutely necessary, or if I just want to goof off for awhile.
I hope you find what you need so you can get back to making that work that you want to make.