And, It's up.

It's been a day, show is hung, It went smoothly thanks to the powerhouse brilliance of Kriss and Ming. We had a great time hanging. I drank too much coffee and was a bit hyper and annoying, but they laughed at me and gave me instructions so I wasn't too all over the place, and basically took charge. I so like take charge women. Some photos.



The Firehall Arts Centre is beautiful.

 What's next?

I think I'll just lean here for a bit.

She's got a plan.

Unpacking.

Look the little one's are up

Show Time (and statement angst).

Not long now and the show will be up. On Tuesday we hang. The show is in a non-profit space and so I have to do a lot of the work myself. Wow, marathon. I will have help with the hanging though. Thanks Kriss and Ming and Firehall staff.

Your invitation is posted below, but if you are a Facebook friend or otherwise a  friend, or are on my mailing list you have already seen it.

Things are looking good. Of all the things on my list in the last post there are only a couple left. "Blog Post" is one of them and here I am, blog posting. No statement yet, who knows if it will happen. If it comes naturally and I feel like it, it will be done. I've rewritten my initial statement many times. The last iteration is on the invitation but even that feels not exactly it. It's accurate but doesn't seem to cover it somehow. I recently refined it down to: "Today's Lesson Will be in Life: These pathos and humour filled paintings reveal an approach to current events and life's turmoil that may give some relief from the grim dark while at the same time not denying it's full truth and impact."  Ahh, I don't know. If I could say it, I might not have to paint it. Never mind, I'll do my best with it and that will be that

It's been a while since I've had a solo exhibition. I'm very happy that I did this show. I need and want people to see the new work in person. Thank you in advance for being there. And thanks for reading my posts and looking at my work online too. It's great to have a way to get it out there to appreciative eyes. And, even to critical ones.

Now, to make sure all the last minute things are done and take a walk in the bog with the dog. First I think I'll have lunch and a cup of tea.

Moderately proud.

I'm moderately proud of myself today. I've managed quite a bit since my last post, in spite of having a cold, Christmas and all it entails (though thankfully mine is modest and quiet), working my usual 3 days a week at the dayjob, having a couple of minor crisis that got me up in the middle of the night, causing days in zombieland. Then there is the studio in the kitchen, I'm still working and nothing will stop me. It will be good to get back to a separate studio in a year or so.

It's 1:45 on a Saturday. I should be eating lunch and then going to Opus, the local art supply and framing shop, to finish off 4 small frames and buy some more foam core in order to finish off 2 larger ones. Instead I'm typing this briefly then going. Once I get those frames finished I bring them home and wire them, That will take today and tomorrow (if I fit in a big dollop of doing not much and making dinner etc.).

Then it's down to making labels, a list of work, a statement to go with the work, sending out invites, maybe doing some press outreach...  Will I make it? will it all get done? Stay tuned, and show up on January 22 at 5:30 to see what happens (I think I said 5, in an earlier post so change this on your calendar if you've already marked it down).  I'll be reminding you again.

What's this about?

Today I made another little drawing in a sketchbook I keep for the purpose of drawing notations. They are little notes to myself when I have the urge to draw and little time. They are stream of conscious drawing notes. They reflect things bubbling under the surface. The drawings usually contain humour and pathos in the end.

What's this about?
ink, graphite, watercolour pencil on paper
9 x 12"

I live with a healthy amount of anxiety (my diagnosis) and the drawings reflect that.

Speaking of anxiety, mine sent me to the doctor to investigate minor complaints; sometimes my hips ache, I've been tired a lot and thought it was probably the inordinate amount of stress this past year, I need new glasses and have to have a referral to an opthalmologist because of my complex eyes and I wanted to have a few other things checked out just because I should, you know. Turns out there is good reason I'm tired and achey. My thyroid is low and I have mild bursitis in my hips. Thank gawd I can clear these things up with stretching exercise for the hips and there are a few things I can try for the thyroid before resorting to sythroid or the desiccated cow thing. Stress probably affected my thyroid but seems the Doctor thinks it has been borderline in any case. I'm relieved really, no leukaemia or diabetes, or something dire. And, I may get my usual energy level back.

Otherwise I'm the healthiest person alive, perfect blood pressure, no iron deficiency, none of the various cancers, heart conditions and other things that run rampant in my family, yet. So let us be grateful and as happy as we can be. I've decided the next time I have anxiety about a health thing I won't put it off and go into denial and angst for a year. Instead I will go and see what it's about.

As for the art part of my life, I'm working hard on organizing for the show in January. I've ordered the large frames, and purchased the small frames and as soon as I stop typing here I am going to frame a couple of drawings/paintings and maybe get time to work on a new one. The plan is to get a couple of things framed every week until the show so that the energy levels can sustain the work and so that I don't drive my thyroid wacky again with stress.

There you go, this is my monthly report on the state of the studio and the life.

Oh, and if you want to give me advice on my thyroid and my bursitis please do. Let the advice begin.

Putting paint to paper.

I should be painting, but I'm having a hard time getting at it. Too many distractions lately. I'm determined that today I will put paint to paper. Working three days a week at the day job has put a crimp in my studio time. I plan for at least 2 seamless studio days each week. When making plans one forgets that there is a lot to do in the remaining two days a week that is part of being alive; getting things together for the upcoming show, cooking, eating, shopping (for food, and necessities only for the most part), seeing friends and being with family or at least keeping in touch occasionally, walking the dog, exercising, helping others and the occasional crisis that sucks all the life out of one for awhile. Then there is making time for rest, or doing none of the above. Not excuses, just facts. But I'm managing to make art every week too and that is something I'm very happy about, I have a life and a big part of that life is making art. But, it isn't everything. That's just fine. Now I get back in there and get to work.

A sneak peek at a detail of another piece for the upcoming show.

None of the above
(detail)

Control, No Control

Everything is under control. Sort of. Well no, never really. But, good things are happening.

Everything's under control
24 x 18"
oil on mylar

I have a solo show coming up in January of the new paintings. Stoked. If you are a friend or follow me on Facebook you already know that. It’s at The Firehall Arts Centre here in Vancouver. I’ll send you an invitation if you are on my list, if not, and you want one, sign up on the right. Now I have to find a way to pay for all those frames, make the time to frame the work, to do the pre-show outreach… I have to hang the show myself and will have to find someone to help me. Exciting though.

I will post details closer to the date.

And, I’ve been asked to participate in an art project, The Mixed-Media Tapes, that involves artists making recordings about their thoughts on something that interests them, at least that’s my interpretation of the project. I’ve chosen “intuition” as my prompt for this recording. I’ve been developing my skill at following my intuition for a long time now; I’m going to try to talk about that. I googled “intuition”. Google said intuition is receiving input and ideas without knowing exactly how and from where you got them. I have stuff to say about that.

I will keep you informed about the The Mixed-Media Tapes project.

Summer’s over! my place is still full of boxes from the temporary move made in June. Looks like they will be there until after January, and then what would be the point of unpacking, only to re-pack in less than a year. Can’t face it, too many more interesting and necessary things to do. Letting go of that control.

If you want to see a sample of some of the paintings that will be in the show, titled "Today's Lesson Will be in Life", click over to my website. There will be other work in the show as well. 

Accidental meaning.

Hard days recently but now I'm able to get time to be outside in this perfect weather, go camping, hiking, swimming, floating and recover from the recent move as well as find time and energy for the studio again. I've been feeling so much about what's really important. It's really important to work, to give, to make art that is meaningful to you, to have people you love around you, to support yourself and be independent in your art. I've been taking note.

All these words are inadequate. That's why I make things, really, I make things up, some times it's drawings, sometimes paintings, sometimes other things to try to communicate. I make things that can, accidentally, have meaning for me and I hope for someone else.

Right now I am working on two series that feel very connected and more so the more work I make. Besides these two series I'm making drawings at the beginning of each studio day. It seems that the pieces are all working together. The drawings feel somehow ahead of the works in oil paint on paper and the works on mylar. The works on paper feel somehow ahead of the work on mylar, but sometimes a work on mylar feels as though it has jumped the cue.  I'm noticing the drawings at the beginning of the day sometimes don't have obvious figurative elements in them like the other work does.

Here are three examples:

I accidentally meant that
24 x 18"
ink and collage on paper

Unknown 

24 x 18"

oil on mylar

What am I not seeing
10 x 8"
oil on huile paper